In 2018, as part of centenary observances of World War 1, a monument unveiled at Fiume Road Graveyard in Budapest. This became the first national memorial erected commemorating the efforts Hungarians undertook during the Great War. Government officials noted the memorial was in line with a fundamental theme of the nation: to restore historical continuity broken during the Nazi and Communist occupations.
Continue reading
Stuck away on the east side of multiple train tracks at the train station in Trieste is a small monument. It stands forlornly nest to a like sized monument dedicated to rail workers who died in World War 2. The monument in question reads: “In riccordo di cittadini del littoral Austriaco partiti da questi binary nell’agosta del 1914 per lontani cmapi di battaglia” – “In memory of citizens of the Austrian Littoral who left from these tracks in August 1914 for battlefields far away.” The sign is fixed on a large stone on which also is placed, a cap design for the Imperial and Royal – Kaiserliche und Königliche (K. und K.) – Infantry Regiment 97. The K. und K. Infantrie Regiment 97 entrained from here to the battlefields of Galicia from which many of the men, locals from Trieste and the surrounding region, would never return.
Continue reading
Italy remembers World War One – la Grande Guerra – a bit differently than World War Two. First off, they were on the winning side in the first war. Second, a little over a hundred thousand more Italians died during the First than the Second – 651,000 to 689,000 compared to approximately 500,000. The vast cost of the First War in treasure and men along with THE thought by Italians as unfair results of their sacrifices at the treaty tables at the war’s end ended destabilizing the nation. Enter the Blackshirts and Benito Mussolini.
Continue reading
Monte San Michele. Welcome to one of the battlefields upon where so many Italians, as well as their opponents from Austria-Hungary, spilled blood during the 1915 to 1916. These campaigns fought in the harsh limestone hills just east off the Isonzo River. The extreme efforts of that long year and three months remembered by King Vittorio Emanuele III’s proclamation in 1922 of the hill’s inclusion as a zona sacra, a place of special memory to the Italian nation. At least three zone sacra in Italy relate to World War 1 – Pasubio and Monte Grappa are the other two. There might be more but those along with Monte San Michele are the big three.
Continue reading
To better understand the eleven Italian offensives of World War One on the lower Isonzo River, two highpoints should be among your tour stops – Monte San Michele (for the first six offensives) and Cerje (for the rest). Atop the tower built on Cerje, one has a view over most of the Isonzo battlefields from Sabotin-Monte Santo to the final Austrian lines atop Monte Ermada. The vastness of the Carso-Kras region lays out at your fingertips. The Adriatic Sea glints in the distance to the southeast while the snowcapped Julians shine to the north.
Continue reading
Right around the southeast corner of the former Royal Palace in Torino stands an old Roman gate, repurposed on the west side into the Palazzo Madama, the first Senate of the Kingdom of Italy and today a museum of art dating back to the late Middle Ages. The museum opens up onto Piazza Castello to the west with a statue dedicated to the army of Sardinia which played a significant role in the Risorgimiento. On the east side, past the two remaining Roman towers, stands a large monument mounted by two groups of four soldiers with a large, somewhat brooding man standing alone, fists clenched, looking to the east. This man depicted is Emanuele Filiberto Vittorio Eugenio Alberto Genova Giuseppe Maria di Savoia, Duke of Aosta and a a cousin of Italy’s king Victor Emanuel III.
Filiberto, during World War One, led the Italian Third Army against the Austro-Hungarian forces on the Carso for two years from June 1915 until October 1917. Erected between 1933 and 1937 after the general’s death in Torino in 1931, the bronze statue stands cast from four captured artillery pieces, the “Statue in a Coat” – “statua in un cappotto”. The monument memorializes the “Undefeated Duke” of the “Undefeated Third Army” – “la armatta invitta”.
Continue reading